Tuesday, December 9, 2008
New York Study Tour End
Friday 5/12/08
After the visit to Harlem we went back to the Hostel to get ready to go out for our end of tour dinner at Arturo’s Restaurant Pizzeria. It was a really nice Italian restaurant and the meals were so big and tasted amazing. We had heaps of fun discussing the tour, what we liked and disliked and the good and bad experiences we had all had. It was really good to just sit back and enjoy a great meal chatting about our experience and a chance to get some last minute group photos.
Thursday 4/12/08
After a quick lunch we jumped on the subway and headed uptown to go to the Whitney Museum of American Art. The Whitney consisted of five floors each with different exhibitions which were all very interesting. On the first floor Corin Hewitt’s Seed Stage exhibition was on display, which was only small but quite fascinating. Hewitt had photographs and an installation using organic and inorganic materials. I guess no one ever told him not to play with his food! On the second floor there were two exhibitions, the first called Progress which bought together works from the Whitney’s permanent collection. My favourite pieces in this were the works by Naum Gabo called Linear Construction in Space and Number 4; and also Nicholas Nixon’s Brown Sisters which consisted on four photographs of the same sisters aging over time. The third floor had William Eggleston’s collection Democratic Camera, Photographs and Video, 1961-2008. On this floor we had a group discussion about the works, talking about how the photographs use American vernacular to appeal to the American culture, creating monumental everyday snapshots that are aesthetically pleasing. Level four was probably my favourite, with Alexander Calder’s The Paris Years, which displayed his wire drawings and sculptures/mobiles. They were amazing works of art where you could clearly see the precision in each piece, displaying different shapes and balance between objects all working together to create movement. My favourite piece was Calder’s Circus, which had numerous parts to it, each depicting scenes seen at the circus. The fifth floor was The Whitney Collection and Signs of the Time, which were also really interesting. My favourite pieces on this level were Jasper Johns’ Three Flags, Burgoyne Diller’s Third Theme, and Sol LeWitt’s Scribbles. I really enjoyed going to the Whitney and after an extremely long day headed home on the subway for an early night.
Wednesday 3/12/08
After lunch we went to the New Museum of Contemporary Art which had two exhibitions Live Forever by Elizabeth Peyton and To Be Someone by Mary Heilmann. I really enjoyed the Elizabeth Peyton exhibition, the paintings, drawings, watercolours and prints were amazing. All her art pieces were portraits of historical figures, artistic contemporaries, self portraits and of friends. My favourite was probably a picture using coloured pencil on paper called Green Nick. The Mary Heilmann exhibition were paintings based on American culture; Heilmann used paint like it was clay and her paintings were rough and raw revealing the process of the paintings. My favourites in this exhibition were The Third Man and Neo Noir which hung next to each other and were very similar. In both you could see there were layers of different colours with black being the top in both, making you think of the paintings as real paintings and not of the subjects paintings often portray. After a long day in the Lower East Side we went back to the Hostel for free pizza for dinner and to watch the Rockefeller Center Christmas Tree Lighting on tv.
Tuesday 2/12/08
After a quick lunch we caught the subway uptown to go to the Metropolitan Museum. It was enormous! So big in fact, that unfortunately I didn’t have time to see everything. I did get to see the Greek and Roman art, Arts of Africa, Oceania and the Americas, Modern Art, the Drawing, Prints and Photography section and the European Paintings, all of which were amazing. The Greek and Roman, and Arts of Africa, Oceania and the Americas were fascinating, with artefacts, sculptures and jewels there was so much to take in. My favourite was the Modern Art section; one piece called Dancer – Airplane Propeller – Sea by Gino Severini was oil on canvas and he used the most amazing colours. Another amazing use of colour with oil on canvas I found mesmerising was Spectrum V by Ellsworth Kelly. Other pieces I liked included Zhang Huan’s Going to Work, which was made from ash on linen and Elizabeth Murray’s Terrifying Terrain, which was oil on shaped canvases. The Met was a fantastic experience and if I have time I will definitely be going back there to check out the exhibitions I missed.
Monday 1/12/08
My other favourite was Richard Serra’s monumental installation of five large iron pieces nearly as tall as the roof, bent in circular shapes. Two had a gap so people could enter into the centre of the pieces and the other three also allowed you to enter but you had to follow it round, like a kind of maze to the centre. Each presented a different bodily experience and physical impact. They were so big it made you feel small and insignificant. When entering, they created a sense of journey and exploration as you couldn’t see what was ahead and to find out, you had to keep walking into the unknown creating a sense of anticipation. They created a sense of never ending, bringing the sense of risk to the table when entering, as you were not sure when you would reach the middle. The work is monumental in both the artist’s capacity and in an engineering sense with the creation of such work. After we jumped back on the train for the long trip home, I was pretty tired so slept for a short while again.
Sunday 30/11/08
Saturday 29/11/08
After the experience of the gallery we went to get a drink and had a sit for a minute to take in everything we had seen and felt. We then walked down to Battery Park and could see the Statue of Liberty. We decided to take the Staten Island Ferry, which goes past the Statue of Liberty, so we could get photos and a closer look. When we got to Staten Island we went to a small coffee shop, I had the best hot chocolate there and a delicious choc chip muffin. It was so good. We then jumped back on the ferry and caught it back to Manhattan, and onto the subway to go home.
Friday 28/11/08
We then headed to PS1 Contemporary Art Center, an affiliate to MoMa. It was in an old school, which I really liked, with three different levels and all the old classrooms filled with different works of art. The main exhibition was NeoHooDoo: Art for a Forgotten Faith, which presented works on spirituality and religion in contemporary art. However my favourite pieces were the Conspiracy Countdown by Robert Boyd, his first piece for his project Tomorrow People. It was a video installation about international conspiracy theories in particular the 9/11 terrorists attacks, UFO sightings and the AID’s virus. I found it really interesting to watch and this was definitely a favourite. Another favourite was the video installation called Mientras ellos, siguen libres by Regina Jose Galindo consisting of three titled segments; Confessions, 150, 000 Volts and Social Cleansing. The segments were about women’s and social rights, portraying very confronting images of a women, played by the artist, being abused and humiliated. I think it would be very interesting to research this artist further and to learn about her specific reasons for creating such a confronting piece. My other favourite piece was by Olafur Eliasson, Visible Mechanics, which was a huge circular mirror on the roof that rotated at different angles. The work was described to explore what it means to see, with the audience, without instruction, choosing to lie on the floor to look up into and experience the effects of the mirror. It felt like you were on the roof, and was a fun experience becoming a part of the art. I really enjoyed PS1 as I felt the exhibitions on display were very participatory for the audience, and therefore I felt it easier to understand the meanings behind the art. After a big day in Queens, we caught the subway home and chilled out in the common room discussing the day’s activities.
Thursday 27/11/08
Wednesday 26/11/08
We met back with the class for more commercial gallery talks, next was with Peter Haffner who discussed the gallery operations at the Charles Cowles Gallery. Peter talked about the efforts of the gallery to work with/for the artists they take on board and to promote their work as best they can. Next was a talk by Margaret Murray at the Murray-Guy Gallery, which had two video art installations on view. The main installation questioned the perceptions of space and time, in a virtual reality. The last commercial gallery talk was at David Zwirner to discuss the Stan Douglas and Tomma Abts shows, which were also brilliant and interesting, however I was extremely tired from a long day, so it was hard to take in a lot of the works at this last gallery. Home after another long day, we got to have free pizza at the Hostel, which was so good and tucked in for a good night’s rest.
Tuesday 25/11/08
The exhibition currently on is Theanyspacewhatever, which is comprised of various art works from numerous artists, on the relation of aesthetics. The aim is for the audience to experience things differently than they normally would in an art museum. The exhibition conveys art as an experience constituted by our relations with the art pieces. The art (objects) are an excuse to think about our experiences and relations with the art through interaction, creating social situations. One particular piece was the Cinema liberte & Bar Lounge, which consisted of a bar giving free coffee to people and lounges for everyone to sit on with a movie playing through a projector. The art was the interaction between people as they waited in line for the coffee or sat on the lounges. People became part of the art and in a sense created the art through their experience. I liked this idea, as most of the people in the museum didn’t seem to realise that their interaction was in fact part of the art. The Guggenheim experience was an insightful and learning one. Once again another great day in New York City.
Monday 24/11/08
The special exhibition by Joan Miro – Paintings and Anti-Paintings 1927-1937 was my favourite, in particular the Paintings based on Collages and Pastels. On the fifth floor, Gino Severini’s Armored Train in Action stood out, with the use of three main colours of blue, green and yellow. The Vincent van Gogh exhibition was also brilliant as I hadn’t really seen much of his work. I also really enjoyed the Architecture and Design and Photography collections. All in all, it was a great experience, and I will certainly have to go back there for a second visit.
At 7:30pm, we went to the film screening at The Sculpture Center and Anthology Film Archives to watch La Region Centrale. It portrayed a mountaintop in North Quebec, in different angled shots. I liked the first 15 minutes of the film but then felt like it was very repetitive and I became quite bored, however it was a great experience.
Sunday 23/11/08
Saturday 22/11/08
Friday 21/11/08
Thursday 20/11/08
New York Study Tour Start
Wednesday, May 14, 2008
Citizen Journalism - What Is It ?
Citizen journalism is open publishing of DIY media content such as stories, images or video sources produced by any users/participates who wish to be apart of public discussion. Some citizen journalism sites are:
- Indymedia: political activism and alternative globalisation
- Slashdot: technology news and legal issues
- OhMy News: South Korean and Japanese news and politics
- Wikipedia & Wikinews: general news and information
- Current.tv: video news and documentaries
- News blogs
The traditional news process is known as gatekeeping, where there is input: gathered news by journalists; output: closed editorial by news company; and response: the edited piece to be made public. This is different to the citizen journalism news process known as gatewatching; which starts with gatewatching: open to all users to gatewatch for news sources; input: submissions of gatewatched stories, open to all users; output: instant publishing of stories, open to all users; and response: discussion and commentary open to all users.
Free/Open Source software
"1. Freedom to run the program, for any purpose.
2. Freedom to study how the program works and adapt it to your needs.
3. Freedom to redistribute copies so you can help you neighbour.
4. Freedom to improve the program and release your improvements to the public, so that the whole community benefits."
Some free software models are Linux, OpenOffice and Firefox. Open source is a form of produsage, as everyone can contribute and there is shared ownership. The benefits of open source software is that there is faster development of the software including upgrades, direct response to requests and suggestions for the software, greater transparency and it costs nothing to purchase the software or upgrades. Problems however, is the lack of financial support for open source software and the cost for switching from commercial software like Internet Explorer, Microsoft Office or Microsoft Windows; over to open source software.
Monday, May 12, 2008
Produsage
Produsage is a common term now being used when terms like DIY media and collaboration are mentioned. A term defined Snurb at produsage.org as “the collaborative and continuous building and extending of existing content in pursuit of further improvement.” According to Snurb there are four preconditions of produsage:
“1. Open participation, communal evaluation
2. Fluid Heterarchy
3. Unfinished Artefacts, Continuing Process
4. Common Property, Individual Rewards”
The first precondition means that the more people participate, the more input and therefore better quality of output information. Everyone has different skills, ideas and knowledge and as each person brings this to the process of produsage, a broader understanding can be developed with the continual process of contributing through evaluation. The second precondition means that everyone’s contribution is valuable as together all the contributions become equal and therefore better quality is revealed. The process allows users to work at the same time as each other in their contributions.
The third precondition means that people can continually add, change, evaluate and update the content and therefore the process remains continually unfinished. This way there are gradual developments to the communities shared content. The fourth precondition means that content created must always remain available to present and future participates for evaluations and updates. If these four preconditions are met then the creative content remains a part of produsage content for the community to share and learn from.
Brunes talks abut the advantages and disadvantages of produsage in his podcast Produsage. He identifies three advantages, “faster more frequent updates…greater involvement of the community…and outcomes are available to all.” This means that there are fewer delays which would normally be caused by editing and upgrading, can be made immediately. The community interests are represented by a more diverse range of user and shared development means shared ownership as a community. The disadvantages Brunes identifies are, “mistaken updates may be made available…community knowledge may be limited…and communities may have internal disagreements.” This means that there is potential room for errors to be included as there is no real editing completed and the community may not support the views of minority groups.
DIY Media and Collaboration
With the continual development of new technologies in today’s society, DIY media and collaboration are emerging more and more on the Internet in a number of domains such as online publishing, open source software, media sharing, creative practice, reviews, social bookmarking, geotagging, knowledge management and DIY advice just to name a few. DIY media and collaboration is making pathways for people to develop new skills in professional areas of work, with information reaching a larger audience and in a variety of different ways. It is the production of individuals in a collaborative environment, shared with millions of users around the world. There are some main principles with the production of DIY media and Collaboration, where online communities become content creators. The distribution of the content is created by a wide community of participants, with equal movement between leaders, participants and users of the content. The content continually remains unfinished and the process of content creators continues with other user continually addressing, reinterpreting and evolving the content produced by other users. There is no ownership within these sites and participation is based on merit, as the content is continually collaborated.
DIY media and collaboration removes the boundaries, with collaboration of more participates in numerous environments. Some websites within the domains or DIY media and collaboration are becoming regular website names in the everyday activities of Internet users. For example of blogs and open news sites like Slashdot, Indymedia and Ohmy News are becoming regular online publishing access sites. With media sharing and creative practice, more and more people are logging on to sites like Flickr, YouTube, Jumpcut and Current.tv, Wikipedia is a well know knowledge management website to most Internet users. Social bookmarking and geotagging sites are becoming more popular like del.icio.us, digg, Google Earth and Frapper. These DIY media and collaboration websites are becoming more popular with the everyday Internet users as forms of both professions use and recreation use.
Bruns talks about the challenges for established content industries in his DIY Media and Collaboration podcast. For example with “citizen journalism: undermines authority of mainstream news media, provides alternative views.” With this come possible opportunities between industry and communities to harness the DIY media and collaboration process and work together to continually create collaborative content.
Monday, May 5, 2008
The Difference Between Web 1.0 & Web 2.0
The development of Web 2.0 has allowed DIY communities to emerge in many different domains from open source software development, online publishing, media sharing, creative practice, knowledge management and reviewing. It has allowed online communities to become content creators, with a large number of participants with the outcome always remaining unfinished through “evolutionary, iterative and palimpsestic development” (Bruns, 2008). Many people question what the difference is between Web 1.0 and Web 2.0, basically Web 1.0 can be identified as static or still, where the information is read and becomes history. This is different to Web 2.0 which is more flexible in that information can be read by users but also continually updated so to become present information. O’Reilly explains this through some examples in his article What is Web 2.0;
| Web 1.0 | | Web 2.0 |
| --> | ||
| --> | ||
| --> | ||
| --> | ||
| --> | ||
| --> | ||
| --> | ||
| domain name speculation | --> | search engine optimization |
| page views | --> | cost per click |
| screen scraping | --> | web services |
| publishing | --> | participation |
| content management systems | --> | |
| directories (taxonomy) | --> | tagging ("folksonomy") |
| stickiness | --> | syndication |
O’Reilly writes about Web 2.0 as a new platform for the Internet in which new rules of understanding are created. Quoted in Bruns (2008) Podcast: DIY Media and Collaboration, there are three rules of understanding;
“ 1. Don’t treat software as an artifact, but as a process of engagement with your user.
2. Open your data and services for re-use by others, and re-use the data and services of others whenever possible.
3. Don’t think of applications that reside on either client or server, but build applications that reside in the space between devices.”
The creation and adaption of Web 2.0 sites allows for the user to participate and contribute to the content shared on the Internet. However, although positive in the affect of user participation, challenges do arise within the content created; such as in citizen journalism alternate views are created often undermining the influence and power of main stream news media. Or with wiki sites like Wikipedia, there is of course a broader and more varied coverage of information and topics than print encyclopedias, however the quality and reliability comes into question. Possible opportunities can arise from this between industries and communities to work together harnessing this development through cooperation of Pro-Am participation, where amateurs work to professional standards. This can combat some of the content creator challenges and allows communities to work together to continually upgrade society’s knowledge management. Go2Web20 is the complete Web 2.0 dictionary linking users with Web 2.0 sites. There is also a great video on YouTube called The Machine is us/ing Us, which describes Web 2.0 is a fun and informative way.
Tuesday, April 29, 2008
Cultural Technologies
With the continual introduction of new media technologies into society every day, culture intersects and impact’s on these technologies as they continue to develop. The concept of cultural technologies can be explained as understanding technologies as cultural forms and not just as material forms that impact on culture. Flew (2005, 21), describes cultural technologies in three levels of understanding, “understanding technologies not simply as physical objects, tools, and artifacts, but also in terms of the content they produce and distribute, and the systems of knowledge and social meaning that accompany their use and development.” The interaction of technologies between Flew’s three levels of understanding means that technologies intersect with cultures.
To simplify the three levels of understanding cultural technologies, the first level of technologies is identified as tools and artifacts as the level of aesthetics, for example the physical network of the Internet. The second level is technologies as contexts of use like browsing, bookmarking or blogging, sites such as del.icio.us or blogger. The third level is technologies as systems of knowledge, the process of creating meaning from content found.
Within this process the term technocultures is developed to describe these understandings. There are technocultural choices of the different forms of new media. Whether there is a passive audience or participating users; if it is one-to-one communication or many-to-many; if the media form is controlled by business interests or user interests; and if it is a unified culture or diverse communities. Examples of these choices are with television, which is a form of one-way communication to a one-to-many large passive audience, with only a small number of active producers. This is different to user-driven websites like YouTube, which is a form of two-way communication on a many-to-many scale for small niche audiences with a large number of contributors.
Although all new media forms are technoculturally different, they lead to “increased person freedom, reduced social hierarchy, enhanced possibilities for leisure, and a greater quality of social interaction and communication resulting from new media technologies” (Flew, 2005, 21). These new media technologies of technocultures can only develop in the networked environment. Within the networked environment is the network model whereby users must seek information in an information pull rather than knowledge push. Within this environment anyone can publish causing a large coverage of topics. However there is also some risks involved in new forms of user-driven media like a lack of authority, reliability, security or trust.
The networked environment is the present and future of new media technologies. With an abundance of information with universal media access, technocultures are only going to continue to develop. As everything is subject to reinterpretation, the quantity and quality of information available to users will continue to develop and change systems of knowledge understood by audiences.
References:
Flew, T. 2005. New Media as Cultural Technologies. in Flew, T. New Media: An Introduction. Melbourne: Oxford University Press. pp. 20-38
Monday, April 21, 2008
Online Communities
Online communities allow users on the Internet to participate to the endless source of information available to other users. Online communities help people make sense of all the information available, through the process of finding, evaluating, understanding and sharing. Communities are developed by users that have similar interests sharing information with one another, to help inform and make sense of information that by themselves could not be manageable. Rheingold in Flew’s New Media (2004), describes these online communities as “social aggregations that emerge from the Net when enough people carry on public discussions long enough, with sufficient human feeling, to form Webs of personal relationships in cyberspace” (62). Developing cooperative networks with others, users are a part of participatory culture and collective intelligence. Online communities range from forums, discussion boards, and blogs such as MySpace, Facebook, YouTube and ever Blogger.
The benefits of online communities are that users are able to create new identities both personal and in a community atmosphere not reliant on physical characteristics or geographical locations. With these new identities, users can become part of different communities of interest that might not be possible in the real world due to issues such as location. Within these communities users collaborate with each other, collecting information, sharing it and making understandings of issues relevant to their topics of interest. Users become active members of a community, creating content in today’s participatory culture. Social organisations form on an array of topics that sometimes get neglected by mainstream discussion, allowing for niche communities to develop. The development of online communities allows users to move from participatory culture to collective intelligence, networking with other communities all around the world.
However, problems do arise from the development on online communities; Dr Axel Brunes describes these problems in his podcast and slideshow Online Communities. There is a development of new barriers around online communities as they become independent and don’t always interact with other communities. Some online communities are used for worrying purposes for example supporting terrorist groups. And it also creates online and offline identities to disconnect with each other sometimes causing conflict.
When a user develops a new online identity, most of the time it does not reflect the users offline identity. This is because often online identities can be kept anonymous and therefore users can contribute without the fear of being publically humiliated. Also by becoming part of an online community which shares similar interests, it is likely other users will share the same views and beliefs. An online community can only exist if users create the content shared, however there is no requirement to contribute a certain amount of content or contribute by a certain deadline. Therefore online communities require less commitment as users can contribute whatever and whenever they feel the need. Because of the process of evaluating and sharing information, online communities are always evolving, as new information becomes available, it is understood and passed on by users.
Thursday, April 3, 2008
Technologies Becoming Cultural Technologies
Technologies become cultural technologies when users use technologies for a personal purpose extending the function of the technology for their own use.
It becomes cultural technologies by the way users use the technology and for what purpose, using technologies for a purpose that is relevant to their lives.
Most people use technology to interact with other users creating a cultural community allowing technology to become cultural technologies.
Terry Flew talks about this in more detail in his book New Media an introduction, particulary in chapter two New Media as Cultural Technologies.